Brace yourselves: this is going to be a long one. Week 2 of Bluesfest provided many, many hours of sunburn and entertainment.
Wednesday, July 10
Weezer: I'm not sure if I saw any of the bands that played before Weezer, but it doesn't matter. Weezer is so awesome to see live. Their music is alright; not my favourite but good fun to sing along with. They are an exciting, dynamic band, with a great sound, and pretty cool fans. I enjoyed this one a lot.
Thursday, July 11
Les Mosquitos: This is a band from Aylmer, QC which seems to enjoy reggae and ska a fair bit. I had only seen them perform once before, and I figured it couldn't hurt to see them again. Like Weezer, they are fun to see live. Also like Weezer, I can't listen to their music for more than an hour without getting bored. Les Mosquitos are definitely worth checking out, as an up-and-coming local band (if you're from around Ottawa, that is).
The Jon Spencer Blues Explosion: This 3-piece, uh, "blues" band is, well, explosive. I wasn't sure what to make of them when I was watching. I believe my exact reaction was "Dafuq did I just watch?!" Combining sounds from The Black Keys, The Rolling Stones, and sometimes Rage Against The Machine, this band took frequent opportunities to yell out the word "Explosion!" and say that "The Blues are #1!". There is definitely talent there; frequent switches in styles put the drummer and guitarist to the test, while the singer basically just strummed open chords and yelled "YEAH!" a lot. The friend who recommended this concert was really into it, and he had a good laugh when I admitted I was unsure of what I was witnessing. Creativity? A crime against eardrums? A drug-fueled EXPLOSION of BLUES#1? I don't know. I still have no idea what they were trying to accomplish, but I'm actually glad I went. YEAH!
The Tragically Hip: Not this again. I left before they started, to the astonishment of everyone walking the other way down Booth.
Friday, July 12
The Waterboys: Didn't watch much of this. It sounded pretty generic (good, but plain), so I checked out this guy instead:
TJ Wheeler: The only jazz musicians to successfully incorporate the banjo into old standards, TJ Wheeler and Friends put on a fun show, featuring pieces like Caravan, and I Really Wish I Could Remember The Other Ones 'Cause They Were Good, Too. I was there for the second half of his set, and from what I heard, TJ and his band played very well.
Great Big Sea: East Coast Party, Part 1. These guys are awesome live. Like Weezer, everyone knows the words to their songs. Unlike Weezer, they are Canadian, and use an accordion on stage. From classics to newer tunes, GBS celebrated their 20th anniversary in the industry with style. After seeing them 3 times, it still hasn't gotten old.
Saturday, July 13 (aka The Longest Day)
Half Moon Run: On recommendation from a friend, I checked out this Montreal alternative band. They are really good. With a sound not entirely unlike The Reign of Kindo (or Karkwa, if you're reading this and are also from Quebec), they played a solid set. Glad I stood in the direct sun in 35C heat for this.
The Dardanelles: East Coast Party, Part 2. Another band from St. John's, this time with frontman Tom Power. There is so much talent, passion, and life in this group, it was an absolute joy to watch. The fast-talking antics of Tom complemented the more serious folk vocals and mind-blowing talent of the fiddler. They added a drum and an accordion as well, just for fun. Loved it.
Mykki Blanco: I don't know what the hell this person's problem is, but it was performing between The Dardanelles and the next group, and I had to walk by the stage. Hard to watch. An assault on my ears and on my values as a musician and a concert-goer. A possible transvestite/hermaphrodite with really awful rap abilities. Just, don't look him/her up. Don't do it. (You've been warned)
The Knocks: A couple of DJs from New York. Dance music. Live drum beats looped into the recording. Not much else to say, really. Hard to judge talent when computers are involved, but they got people dancing, so they did their job. Left halfway through to check out:
Austra: I don't know who these people are or what they were doing. It was like a far less enjoyable version of the Blues Explosion group, except it wasn't even blues. It was both generic and awful.
John Casey Trio: At this point I was too hot and tired to care what I was watching, as long as there was shade and I could sit down. So I went to the Black Sheep stage and enjoyed a pretty sweet blues/r&b group. A pleasant surprise after the whole Austra abomination. Some really nice harmonies, tight rhythms, and a great way to forget the previous band.
Björk: Fucking Björk! The only Icelandic entity more famous than volcanoes that ruin travel plans (ok, maybe Vikings are, too). But seriously, as if I got a chance to see her live! Her music is, well, bizarre, to say the least. However, she had an Icelandic choir on stage, a drummer/guitarist with a looping machine, and a sound engineer who was, at times, controlling a GODDAMN TESLA COIL. This show exuded cool in the best way possible. Some of the music felt like club music, which I didn't mind. Other songs were more like trance or ambient music, with some really disjointed English lyrics, and I still did not mind. Björk and her big, orange afro put on an amazing show. I don't think a single person there was not impressed in some way.
Sunday, July 14 (Closing Day)
JW Jones: A local guy, all about blues. His guitar. Add in a hot bassist and a stupidly talented drummer, and you've got the JW Jones trio. A little bit cocky, very much a showman, and with a penchant for 12-bar blues, JW Jones provided a great started to my blues-themed evening. I will be looking out for more of his performances.
Alice in Chains: A metal band at Bluesfest? Why, yes! And a good one, too! Lacking the general screaming of most hardcore metal bands, Alice in Chains (and their 16+ amplifiers) rocked the Bell stage for a solid hour. I wasn't sure I'd like it, but I did. It's heavy, it's bassy, it's awesome.
Serena Ryder: In a total 180, I went to see this Canadian folk rock singer and her band. I only discovered her a few months ago, and decided I liked her studio work. So, how was she live? Pretty friggin' great. She liked to get the audience involved in a number of her songs, and the audience was generally happy to oblige. Nice to see so much up-and-coming Canadian talent, especially from such a looker (and the keyboardist wasn't too bad either). Ms. Ryder, I look forward to your next album.
Yukon Blondes: The band that performed between Serena Ryder and the next guy. Didn't really pay attention, they were kind of loud and generic.
B.B. King: For those of you who don't know already, B.B. King invented the blues. He is now 87 years old, but to see him live, flirting with all the women in the front row, you'd think he was way younger. He can't move much. He didn't even play that much, he mostly just smiled, made faces at people, threw 10-20 guitar picks, necklaces, bracelets and whatever into the audience, and poked fun at some of the folks in the front row. When it came time for his set to finish (a full 4 songs in), he refused to leave. He kept on smiling and waving to wild applause. He did not want to leave his audience, he didn't want his band to stop playing, he just wanted to have fun. Well, thank you, Mr. King, we all had fun, too.
Dog Blood (Skrillex & Boyz Noize): I very nearly went home after B.B. King. I should have. It was the perfect end to a 4-week span of incredible concerts. But no, Skrillex was on, Bluesfest was not officially over, and also a girl wanted me to go with her to the show (totally not my reason for going, by the way). To their credit, Mr. Ex and Mr. Noize waited a full 5 minutes after Mr. King exited the area (already 5 minutes after the time they were supposed to start), showing patience never before exhibited by adolescents. So the show started a little late, and that was fine; the shorter the better. Then they started. There were some cool lights, videos I didn't really understand, and probably around 100 subwoofers cranked all the way up.
At this point, it just became a social experiment. I was more or less posing as someone who enjoys dubstep. I got to see what the dredge of society looks like. I got to see drunk people, people on drugs, people with not enough clothing on, people with bad hair cuts, people with tattoos, people with strange piercings, all grouped together "listening" to the same "music". It was also a test of my patience. I like to think I passed with flying colours, as I not only stayed for the entire 80-minute set, but even danced along with some of the song that they played (the one redeeming quality of dubstep/EDM: you can sort of dance to it, and it feels like you're in a nightclub when you do). Musically, what these guys accomplish is incredibly unimpressive and dull. It's absolute rubbish. If I was to divide musicians into two talent-based groups, I would put Frédéric Chopin, Pink Floyd, B.B. King and The Jon Spencer Blues Explosion in the same group, and Skrillex in the other. Skrillex is responsible for more crimes against humanity than Pol Pot and Adolf Hitler combined. If Skrillex was a Game of Thrones character, he would be King Joffrey, or maybe Ramsay Bolton. I once ate poorly-prepared tripe, and it was a more pleasant experience than a Dog Blood concert.
On a more positive note, the show did eventually end, and I had a nice walk home with my friend. Bluesfest was over. About 26 concerts over 8 days. Not sure how I managed, to be honest. I've already got my pass for next year, and I'm looking forward to it. The more imminent event is my trip to Europe in 2 1/2 weeks! But I'll save that for later.